I’ve read westerns where on several occasions a six-gun accurately shoots over a distance of fifty metres, knocking the gun from another man’s hand—I didn’t get in touch to tell the author it is fantasy. I’ve read romance in which characters spend so much time expressing their love and gushing tenderness—I forgot where they were, and if they were dressed or naked.
In this tale, like my other erotica titles, apart from being detailed and realistic, I’ve opted for a cohesive story. Yes, I’m afraid I use that old-fashioned idea of a beginning, a middle, and an end.
There are no college bets, big debts to be repaid—however, magic potions to turn men into women (or vice-versa), and no time-travel to change somebody’s sexual orientation.
I realise that for many people, (some authors included), the idea of erotica as a genre is simply an excuse to compose smut—and those good folk are welcome to their opinions. If the work has gone in, and appropriate research or knowledge is used, an author can write well about anything.
If you didn’t already know, I started my erotica writing after reading a now famous, badly-written, badly-researched novel which featured an unlikely and highly-dangerous introduction into the world of BDSM. Don’t start me …
Being a Good Girl takes the angle of a young man who is caught en femme, which I believe is a superb premise to begin such a tale. I believe that many men (irrespective of age, their position in society, or background), are ‘caught’ through choice.
We suggest these men have been caught, but is it not also the case that they might have longed to get their predilection out there, to express their desire and partially relieve the stress, and the burden of self-imposed guilt?
Let’s have a look at a parallel in the world of crime.
How many times do we see a movie or TV series which highlights the serial killer, or other criminals, who become more daring, and leave more and more clues for the authorities?
Surely caught and exposed are the same thing?
I would say no, in the case of cross-dressing. To be ‘caught’ is more akin to being discovered by the significant other in a relationship. Being ‘exposed’ is related to a wider public knowledge. Being caught may result in any number of routes to be followed, and possibly the end of the partnership, whereas the other—being exposed, is pretty damning. We don’t live in a tolerant society whatever anybody says in the media.
And, so, back to my tale of the accidentally discovered young cross-dresser.
He has a more advanced world surrounding him than he would have had thirty years ago. The internet is awash with websites, blogs, forums and so on. Contacts and information are available in abundance, and this is fodder for the creative writer. It takes what was once a narrow, shady world and opens it up to allow the character to be revealed, in conjunction with those with whom he achieves a connection.
Is the story targeted at a male or female audience?
Neither. My erotica aims to draw a reader in with the blurb, and then entertain with the story. If a particular scenario appeals, it depends on the outlook and expectations of the individual. You have to ask yourself how you would feel to be in such a relationship. Some people have no opinion, for others, it’s one of their fantasies, and others, it’s a reality.
In cases like the one featured in Being a Good Girl, it is invariably the partner who holds the key. Whether or not the spouse, partner or whoever agrees to take the ‘guilty’ party back into a relationship opens a whole new area for the writer to play in, and once again we can investigate a variety of options. I’ve taken our main character on a journey of discovery. There are four main characters, and two others with minor roles, so the cast is as intimate as the plot.
Does Darren enjoy his sexual education, and all ends well?
You’ll have to read the young man’s account to find out—it’s written in the first-person point of view.
Being a Good Girl (Amazon – Preview/Buy)
Being a Good Girl (BookLinker – Universal)